There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys reawaken the kid in us. Filmmaker John Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.

Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas

There's an extra coat of hot wax on Pixar's vibrant, NASCAR-influenced comedy about a world populated entirely by cars. Lightning McQueen (voiced by Owen Wilson) is the slick rookie taking the Piston Cup series by storm when the last race of the season (the film's high-octane opening) ends in a three-way tie. On the way to the tie-breaker race in California, Lightning loses his way off Route 66 in the Southwest desert and is taught to stop and smell the roses by the forgotten citizens of Radiator Springs. It's odd to have such a slim story from the whizzes of Pixar, and the film pales a bit from their other films (though can that be a fair comparison?). Nonetheless, Cars is another gleaming ride with Pixar founder John Lasseter, who's directing for the first time since Toy Story 2. There's the usual spectrum of excellent characters teamed with appropriate voice talent, loads of smooth humor for kids and parents alike, knockout visuals, and a colorful array of sidekicks, including a scene-stealing baby blue forklift named Guido. Lightning's plight is changed with the help of former big-city lawyer Sally Carrera (Pixar veteran Bonnie Hunt), the town's patriarch Doc Hudson (Paul Newman), and kooky tow truck Mater (Larry the Cable Guy). The Incredibles was the first Pixar film to break the 100-minute barrier, but had enough story not to suffer; Cars, at 116 minutes (including some must-see end credit footage), is not as fortunate, plus it never pierces the heart. Trivia fans should have bonanza with the frame-by-frame DVD function; the movie is stuffed with in-jokes, some appearing only for an instant. Ages 5 and up. --Doug Thomas

wild collection of hip actors--from Will Ferrell to Drew Barrymore to David Cross--provide voices for Curious George, based on the classic, gentle children's books. Ted (voiced by Ferrell, Elf) works at a natural history museum that's fallen on hard times. The museum director's son (Cross, Arrested Development) wants to turn it into a parking lot, but Ted offers to bring back a mysterious idol from Africa that's guaranteed to pull in crowds. Unfortunately, the idol turns out to be three inches tall. But Ted (who, before he heads on safari, gets outfitted in head-to-toe yellow, transforming him into the beloved Man in the Yellow Hat from the books) accidentally brings back a lonely yet irrepressible monkey, soon dubbed George. In no time at all George gets into all kinds of mischief--painting an apartment, soaring aloft with a bunch of helium-filled balloons, climbing on a dinosaur skeleton, and generally getting Ted into hot water. Older fans of the books will probably wince at the formulaic save-the-museum storyline, as well as at the obligatory love interest (Barrymore, Charlie's Angels) whose role is utterly passive. Jack Johnson's songs are so bland you can't remember the melodies even as you're listening to them, and the animation (an odd but not ineffective blend of two-dimensional drawing and CGI) has grossly cutified the book's illustrations, eroding their origina charm (the contrast is made sadly clear by a montage of the original drawings over the closing credits). But the basic relationship between man and monkey remains sweet, and younger kids will delight in George's innocent troublemaking. --Bret Fetzer

There is only one word that comes close to accurately describing the enchanting Mary Poppins, and that term was coined by the movie itself: supercalifragilisticexpialidocious! Even at 2 hours and 20 minutes, Disney's pioneering mixture of live action and animation (based on the books by P.L. Travers) still holds kids spellbound. Julie Andrews won an Oscar as the world's most magically idealized nanny ("practically perfect in every way," and complete with lighter-than-air umbrella), and Dick Van Dyke is her clownishly charming beau, Bert the chimney sweep. The songs are also terrific, ranging from bright and cheery ("A Spoonful of Sugar") to dark and cheery (the Oscar-winning "Chim Chim Cher-ee") to touchingly melancholy ("Feed the Birds"). Many consider Mary Poppins to be the crowning achievement of Walt Disney's career--and it was the only one of his features to be nominated for a best picture Academy Award until Beauty and the Beast in 1991. --Jim Emerson

Disney's 50th full-length animated feature film, Tangled is a visually appealing, music-filled adventure full of romance and humor. The movie focuses on Rapunzel, a girl with long magical hair who's lived her entire life imprisoned in a tower by her greedy mother. Naturally optimistic and acquiescent, Rapunzel (Mandy Moore) rarely complains about her circumstances, but for her 18th birthday she longs to leave the tower to see the floating lights that appear every year on her birthday. Her mother (Donna Murphy) refuses her request, but when thief Flynn Ryder (Zachary Levi) climbs the tower to escape his pursuers, Rapunzel (once she's conked him on the head with a skillet multiple times) impulsively decides to trust the young man and convinces him to help her escape to see the floating lights. Thus begins a journey that alternates quite schizophrenically between optimistic excitement and guilty remorse that will ultimately change Rapunzel's and Flynn's lives forever. Tangled is a masterful blend of humor, adventure, passion, and drama combined with a great musical score and top-notch animation. The Real 3-D effects add to the experience but probably won't really be missed in other formats. Best of all, Disney presents a princess who matures from a meek and compliant girl into a spunky young woman who's not afraid to pursue her dreams and risk it all for love--now that's a Disney princess worth emulating. (Ages 6 and older) --Tami Horiuchi

The folks at Pixar can do no wrong with Monsters, Inc., the studio's fourth feature film, which stretches the computer animation format in terms of both technical complexity and emotional impact. The giant, blue-furred James P. "Sulley" Sullivan (wonderfully voiced by John Goodman) is a scare-monster extraordinaire in the hidden world of Monstropolis, where the scaring of kids is an imperative in order to keep the entire city running. Beyond the competition to be the best at the business, Sullivan and his assistant, the one-eyed Mike Wazowski (Billy Crystal), discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed "Boo," who accidentally sneaks into the monster world with Sulley one night. Director Pete Doctor and codirectors David Silverman and Lee Unkrich follow the Pixar (Toy Story) blueprint with an imaginative scenario, fun characters, and ace comic timing. By the last heart-tugging shot, kids may never look at monsters the same, nor artists at what computer animation can do in the hands of magicians. --Doug Thomas

Andy heads off to cowboy camp leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggin (owner of Al's Toy Barn) kidnaps Woody. At Al's apartment, Woody discovers that he is a highly valued collectible from a 1950s TV show called Woody's Roundup, and he meets the other prized toys from that show, Jessie the Cowgirl, Bullseye the Horse, and Stinky Pete the Prospector. Back at the scene of the crime, Buzz Lightyear and the other toys from Andy's room, Mr. Potato Head, Slinky Dog, Rex and Hamm spring into action to rescue their pal from winding up as a museum piece. The toys get into one predicament after another in their daring race to get Woody before Andy returns.

What's a panda to do when his dreams of kung-fu awesomeness awake to the cold reality of noodle-making? Clumsy, overweight Po (Jack Black) dreams of becoming a kung fu master like China's revered "furious five," but instead seems destined to follow in the footsteps of his father and grandfather in the restaurant business. When great leader Oogway has a vision that the imprisoned kung fu warrior Tai Lung (Ian McShane) will soon escape, he declares it time to choose China's dragon warrior--one kung fu master deemed worthy of possessing the dragon's scroll and its secret to limitless power. Po and all the townspeople rush to the Jade Palace atop the highest mountain to witness the contest between Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Seth Rogan), Crane (David Cross) and Viper (Lucy Liu), but Po is locked outside the palace. After a miracle of sorts, Po lands inside the palace gates, where he is chosen as the dragon warrior and placed under the tutelage of the decidedly non-plussed master Shifu (Dustin Hoffman). An unconventional student to say the least, hilarity reigns as Shifu tries desperately to make Po into some semblance of a kung fu warrior. Can Po possibly fulfill his destiny as dragon warrior, or was Oogway's final decision a critical mistake? A film rich with hilarious moments, superior animation, and an important message about believing in oneself and the power that comes from within, Kung Fu Panda is great entertainment that will have the whole family laughing and begging for more. (Ages 3 and older) --Tami Horiuchi

A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and satisfying film DreamWorks Animation has produced. Hiccup (voice by Jay Baruchel) is a failure as a Viking: skinny, inquisitive, and inventive, he asks questions and tries out unsuccessful contraptions when he's supposed to be fighting the dragons that attack his village. His father, chief Stoick the Vast (Gerard Butler), has pretty much given up on his teenage son and apprenticed him to blacksmith Gobber (Craig Ferguson). Worse, Hiccup knows the village loser hasn't a chance of impressing Astrid (America Ferrera), the girl of his dreams and a formidable dragon fighter in her own right. When one of Hiccup's inventions actually works, he hasn't the heart to kill the young dragon he's brought down. He names it Toothless and befriends it, although he's been taught to fear and loathe dragons. Codirectors and cowriters Chris Sanders and Dean DeBlois, who made Disney's delightful Lilo and Stitch, provide plenty of action, including vertiginous flying sequences, but they balance the pyrotechnics with moments of genuine warmth that make the viewer root for Hiccup's success. Many DreamWorks films get laughs from sitcom one-liners and topical pop culture references; as the humor in Dragon comes from the characters' personalities, it feels less timely and more timeless. Toothless chases the spot of sunlight reflected off Hiccup's hammer like a giant cat with a laser pointer; Hiccup uses his newly found knowledge (and an icky smoked eel) to defeat two small dragons--and impress the other kids. How to Train Your Dragon will be just as enjoyable 10 or 20 years from now as it is today. (Rated PG: suitable for ages 8 and older, violence, some intense action and scary dragons) --Charles Solomon

What made the original Toy Story so great, besides its significant achievement as the first-ever feature-length computer animated film, was its ability to instantly transport viewers into a magical world where it seemed completely plausible that toys were living, thinking beings who sprang to life the minute they were alone and wanted nothing more than to be loved and played with by their children. Toy Story 3 absolutely succeeds in the very same thing--adults and children alike, whether they've seen the original film or not, find themselves immediately immersed in a world in which Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), Mr. and Mrs. Potato Head (Don Rickles and Estelle Harris), Ham (John Ratzenberger), Rex (Wallace Shawn), the aliens, and the rest of Andy's toys remain completely devoted to Andy (John Morris) even as he's getting ready to pack up and leave for college. Woody scoffs at the other toys' worries that they'll end up in the garbage, assuring them that they've earned a spot of honor in the attic, but when the toys are mistakenly donated to Sunnyside Daycare, Woody is the only toy whose devotion to Andy outweighs the promise of getting played with each and every day. Woody sets off toward home alone while the other toys settle in for some daycare fun, but things don't turn out quite as expected at the daycare thanks to the scheming, strawberry-scented old-timer bear Lots-o'-Huggin' (Ned Beatty). Eventually, Woody rejoins his friends and they all attempt a daring escape from the daycare, which could destroy them all. The pacing of the film is impeccable at this point, although the sense of peril may prove almost too intense for a few young viewers. Pixar's 3-D computer animation is top-notch as always and the voice talent in this film is tremendous, but in the end, it's Pixar's uncanny ability to combine drama, action, and humor in a way that irresistibly draws viewers into the world of the film that makes Toy Story 3 such great family entertainment. (Ages 7 and older) --Tami Horiuchi