Behind every great love is a great story. As teenagers, Allie (Rachel McAdams) and Noah (Ryan Gosling) begin a whirlwind courtship that soon blossoms into tender intimacy. The young couple is quickly separated by Allies upper-class parents who insist that Noah isn't right for her. Several years pass, and when they meet again, their passion is rekindled, forcing Allie to choose between her soulmate and class order. This beautiful tale has a particularly special meaning to an older gentleman (James Garner) who regularly reads the timeless love story to his aging companion (Gena Rowlands). Based on the best-selling novel by Nicholas Sparks, The Notebook is at once heartwarming and heartbreaking and will capture you in its sweeping and emotional force.

AUDREY HEPBURN STARS AS HOLLY GOLIGHTLY, THE BEAUTIFUL, IF ECCENTRIC NEW YORK PLAYGIRL WHO WON'T LET ANYTHING INTERFERE WITH HER PLANS TO MARRY A MILLIONAIRE, NOT EVEN A ROMANCE WITH NEW NEIGHBOR GEORGE PEPPARD.
No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker

Vivien Leigh is Scarlett to Clark Gable's Rhett in cinema's greatest epic of passion and adventure. With its immortal cast, magnificent cinematography and sweeping score, this cherished classic continues to thrill audiences today.

Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player. Can Jerry resurrect his career while still staying true to himself?

When Harry Met Sally is an "explosively funny" commentary on friendship, courtships - and other hardships - of the modern age (Newsweek)! Will sex ruin a perfect relationship between a man and a woman? that's what Harry (Crystal) and Sally (Ryan) debate during their travels from Chicago to New York. And eleven years and later, they're still no closer to finding the answer. Will these two best friends ever accept that they're meant for each other...or will they continue to deny the attraction that's existed since the first moment When Harry Met Sally?

For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Robert Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff Shannon

Nothing on Earth can rival the epic spectacle and breathtaking grandeur of Titanic the sweeping love story that sailed into the hearts of moviegoers around the world ultimately emerging as the most popular motion picture of all time.Leonardo DiCaprio and Oscar-nominee Kate Winslet light up the screen as Jack and Rose the young lovers who find one another on the maiden voyage of the "unsinkable" R.M.S. Titanic. But when the doomed luxury liner collides with an iceberg in the frigid North Atlantic their passionate love affair becomes a thrilling race for survival.From acclaimed filmmaker James Cameron comes a tale of forbidden love and courage in the face of disaster that triumphs as a true cinematic masterpiece.Starring: Leonardo DiCaprio and Kate Winslet. Directed By: James Cameron.

The summer of 1963 innocent 17-year-old Baby (Grey) vacations with her parents at a Catskill's resort. One evening she is drawn to the staff quarters by stirring music. There she meets Johnny, the hotel dance instructor, who is as experienced as Baby is naive. Baby soon becomes Johnny's pupil in dance and love.

Like a pumpkin that transforms into a carriage, some very shrewd casting (and the charisma of Julia Roberts, in particular) morphed this story of a Hollywood whore into a Disneyfied Cinderella story--and a mainstream megahit. This is the movie that made Roberts a star; the charm of her personality helping tremendously to carry viewers over the rough spots in the script (which was originally a cynical tale about prostitution called 3000--after the amount of money Richard Gere's character pays the prostitute to stay with him for the week). Gere is the silver-haired Wall Street knight who sweeps streetwalker Roberts into a fantasy world of room service at the Regent Beverly Wilshire Hotel and fashion boutique shopping on Rodeo Drive. The supporting cast is also appealing, including Laura San Giacomo as Roberts's hooker pal, Hector Elizondo as the hotel manager, Jason Alexander, Ralph Bellamy, and Hank Azaria. Now, is this something you want your sons and daughters to see? That's entirely up to you. --Jim Emerson

Neigborhood bookstore rivals unwittingly become e-mail pen pals in Nora Ephron's charming remake of 'The Shop Around the Corner.
The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes.

World-traveling National Geographic photographer Robert Kincaid and Iowa housewife Francesca Johnson aren't looking to turn their lives upside down. Each is at a point in life where expectations are behind them. Yet four days after meeting, they won't want to lose the love they've found.
Academy Award winners Meryl Streep (earning her 10th Oscar nomination for this performance) and Clint Eastwood (who also produces and directs) bring blazing starpower and powerful conviction to the beloved characters of Robert James Waller's rhapsodic best-seller of love, choice and consequences. "Streep and Eastwood are so visually and spiritually right they seem to have walked right off the page," Entertainment Weekly proclaims. Also right are the small details and large emotions of once-in-a-lifetime love. With luck, a love like that happens to some of us sooner or later. For Robert and Francesca, it was later. And it was glorious.